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Irrfan Khan is outstanding and Saba Qamar has complimented him well. Deepak Dobriyal is very good at some places too, but his performance is nowhere close to Pappiji in Tanu Weds Manu. Amrita Singh is totally wasted in Hindi Medium. I was so excited to see her again after her superb performance in 2 States but she’s under utilized. The only thing that works and boy! how fabulously it works for the film is Irrfan Khan. His simple and earnest character is so realistic that it’s hard not to fall in love with him. He also has some great dialogues that he delivered perfectly. His speech at the end had something missing and didn’t click as much as it should have but full marks to his performance.
It’s learning the hard way for the Katdare family to accept the fact and find their way to happiness. Shaila starts finding comfort in her boss. On the other side, Mr. Katdare is busy saving up for a trust they called ‘Bacchu Fund’ for Bacchu’s afterlife and for parents who are in the same situation as them.With no songs in the film, debutant director, Prasad Oak makes sure that the story keeps us hooked to the seat till the very end. The entire movie is shot in black and white which shows lost hope and color shade perfectly suits the gray shades of the storyline. It is no surprise that it has been released in Marathi cinema. Hats off to Prasad Oak to take a such a sensitive subject in his debut movie and presenting it in a very sensible way.
Capernaum movie is permeated with common dilemmas, accompanied with some cultural details of the region it is set in. But without seeming stereotyped. It’s a beautiful, honest, and important film on the socio-economic conditions of Lebanon by Nadine Labaki.